Operas of Gilbert and Sullivan (D Oyly Carte Opera Company)
£18.75
- HMS Pianfore: Overture
- HMS Pinafore, Act One: We Sail the Ocean Blue
- HMS Pinafore, Act One: Hail, Men O War s Men
- HMS Pinafore, Act One: I m Called Little Buttercup
- HMS Pinafore, Act One: But Tell Me, Who s the Youth
- HMS Pinafore, Act One: The Nightingale Sighed for the Moon s ...
- HMS Pinafore, Act One: A Maiden Fair to See
- HMS Pinafore, Act One: My Gallant Crew, Good Morning
- HMS Pinafore, Act One: I Am the Captain of the Pianfore
- HMS Pinafore, Act One: Sir, You Are Sad
- HMS Pinafore, Act One: Sorry Her Lot Who Loves Too Well
- HMS Pinafore, Act One: Over the Bright Blue Sea
- HMS Pinafore, Act One: I Am the Monarch of the Sea
- HMS Pinafore, Act One: When I Was a Lad I Served a Term
- HMS Pinafore, Act One: A British Tar Is a Soaring Soul
- HMS Pinafore, Act One: Refrain, Audacious Tar
- HMS Pinafore, Act One: Can I Survive This Overbearing?
- HMS Pinafore, Act One: Oh Joy, Oh Rapture Unforeseen
- HMS Pinafore, Act One: This Very Night
- HMS Pinafore, Act One: Let s Give Three Cheers
- HMS Pinafore, Act One: Entr acte
- HMS Pinafore, Act Two: Fair Moon to Thee I Sing
- HMS Pinafore, Act Two: Things Are Seldom What They Seem
- HMS Pinafore, Act Two: The Hours Creep on Apace
- HMS Pinafore, Act Two: Never Mind the Why and Wherefore
- HMS Pinafore, Act Two: Kind Captain, I ve Important Information
- HMS Pinafore, Act Two: Carefully on Tiptoe Stealing
- HMS Pinafore, Act Two: Pretty Daughter of Mine
- HMS Pinafore, Act Two: He Is an Englishman
- HMS Pinafore, Act Two: In Uttering a Reprobation
- HMS Pinafore, Act Two: Farewell My Own
- HMS Pinafore, Act Two: A Many Years Ago
- HMS Pinafore, Act Two: Oh Joy, Oh Rapture Unforeseen
The Forgotten G and S Recordings. - Overshadowed by the prewar D Oyly Carte electric recordings and the later stereo records of the late 50s and the 60s, and ignored now by Decca themselves, this nevertheless is a set every G and S fan should own. The transfers from LPs are excellent and the included literature well done. Nine operas, musicaly complete, (and some additional material) all cleverly squeezed onto ten CDs at a bargain price.
Glorious Nostalgia! - I agree wholeheartedly with the review by J.J.Rhodes, but feel I should make the point that the whole set is recorded in full glorious MONO! Once you have got over the shock of the sound stage collapsing into a point source however, the music really is delightful, and takes me back to the days when I used to pay 9d to sit up in the gods at the Golders Green Hippodrome to hear the D Oyly Carte company sing their way through all those charming numbers. This set has a distinctly dated feel about it, and makes one realise just how much performing styles, as well as recording techniques, have changed in half a century (and some of the artists were clearly chosen for their ability to act rather than their ability to sing!). But for all that, I m glad I bought it. This is authentic G&S in its heyday as it really was, and any musical director of a modern production of one of the Savoy Operas should have this set in his collection.
More than just a historical curiosity. - For G&S buffs, this is a first class treat. The D Oyly Carte 1949-51 Isadore Godfrey Mono Recordings skillfuly remastered onto CD - and what a box of delights this turns out to be.The first thing that strikes you about this is just how good the recordings themselves sound. Undrstandably, where there is heavy bass in the orchestra, they can be a little boomy at times but, considering how relatively primitive recording techniques were in 1950, the overall result of this remaster is nothing short of miraculous.Preserved here, in doubtless better reproductive condition than when they were originally issued, are performances by some of the great legends of D Oyly Carte. Martyn Green, Darrell Fancourt, Leonard Osborn and Ella Halman all featuring heavily along with others like Peter Pratt and Joyce Wright, who were yet to become great stars with the company.Of the performances themselves, the main thing that you notice is how terribly terribly correct the English diction is. Most of the time this is of little consequence but just occasionally it intrudes. Muriel Harding s Elsie Maynard in Yeoman , for instance, sounds as if she has just stepped out of the hallowed halls of RADA rather than having been on the road as a touring sidekick to a two-bit comic for the past whoknowshowmany years! Incongruous, too, is the use of Ann Drummond-Grant in several roles, including Phoebe Meryll in Yeoman , which she never played on stage. Perhaps the fact that she was Mrs Isadore Godfrey at the time had something to do with it!These, however are but small blemishes in what is otherwise a fascinating twelve hour feast of G&S - a series which shows us just how good many of the stars of yesteryear were. Darrell Fancourt s Mikado is a real collectors item and it is wonderful to hear Alan Styler, a much under-rated and unsung performer at his very best. What a shame he was taken from us at the young age of 45 before the later stereo recordings could make the most of his prodigious talents! In truth, though, this collection is tribute to the unique talent of Martyn Green. Here is his signature role, Jack Point, in all its pathetic glory, here are those masterful performances of the patter songs, and here is the definitive recording of Bunthorne in Patience - in my opinion, the finest G&S performance of any on record.This is a collection that will give hours of pleasure to lovers of the Savoy Operas.